Story of Cardboard Food in China a Hoax

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You’ve heard about the food made from cardboard in China. Of COURSE you have – I haven’t met a single person yet who has not heard the story of Chinese street vendors picking cardboard off the street, soaking it in chemicals and selling it as food. Since I’m getting ready to go to China myself it had me a little concerned – which friends had a lot of fun joking about.

Turns out the story is a hoax. The “investigative reporter” who made it up did so to increase his ratings and capitalize on the current publicity over China food quality and regulations. I’m glad I can rest easy about this one.

China CardBoard Food Story a Hoax

Beijing police have detained a television reporter for allegedly fabricating an investigative story about steamed buns stuffed with cardboard at a time when China’s food safety is under intense international scrutiny.

A city-wide inspection of steamed bun vendors found no “cardboard buns,” the China Daily said.

“Zi had provided all the cardboard and asked the vendor to soak it. It’s all cheating,” the paper quoted a government notice as saying.

Top 40 Cities on This Website

 This is the list of the top 40 cities that visit my website here.

1. YOU! – Your Town
2. Seattle
3. Los Angeles
4. London
5. Calgary
6. New York
7. Atlanta
8. Chicago
9. Phoenix
10. Irvine
11. Toronto
12. San Francisco
13. Houston
14. Washington
15. San Diego
16. Sydney
17. Orlando
18. Miami
19. Tampa
20. Melbourne
21. Salt Lake City
22. Portland
23. Boston
24. Dallas
25. Richardson
26. Denver
27. St Louis
28. Pleasanton
29. Manchester
30. Elmhurst
31. Â Louisville
32. Â Indianapolis
33. Â Singapore
34. Â Minneapolis
35. Â Birmingham
36. Â Brentford
37. Â Brisbane
38. Â Las Vegas
39. Â Philadelphia
40. Â Montreal

Remix Approach and Elements of Music

There are three basic elements to music:

  1. Melody
  2. Harmony
  3. Rhythm

In a song form you also have the element of: Lyrics.

When doing a remix, these are the four elements you are going to play with. If you change all four, then you have a completely different song, not a remix. Most commonly the melody and lyrics stay the same. Changes are made to the harmony and rhythm. Think of the last remix you heard (famous examples include “Knock on Wood”, “Red Red Wine” and “Lean On Me” – good chance it was the harmony and rhythm they changed.

For a parody, the opposite is true. A parody may change only the lyrics. The point being to sound kind of like the original, with new words.

For a jazz or big band arrangement it is largely the harmony and rhythm that will change. Melody will become swung instead of straight and harmonies will be more complex and “outside” (many times just adding 11th and 13th chords with a little swing can do the trick).

You can take any song and keep the lyrics while changing all other elements and most people will still recognize it as the original song (if they can understand the lyrics). A good example of this recently is the remix of “Somewhere Over the Rainbow”. The arrangement is not concerned with hitting the wide range of the original melody, only in alluding to it in a relaxed manner.

When approaching a remix, make a conscious decision about what elements you are going to change. Remixes are sometimes the result of an open jam, but more often the focused effort of a producer is involved. They may not think in such rigid terms as put here in “melody, harmony, rhythm, lyrics” – but the producer is effectively making the same decisions.

You can also use this as an approach to songwriting. Take a song you love, change all four elements and you have a totally new song. Remember, good composers borrow – great composers steal.

If using this approach to create new works and songs, always make sure your changes are drastic enough so there are no telltale signs of the original left that could lead to copyright infringement. If just changing a few elements of an existing published song, you can get a mechanical license to make it legal. Check with the song publisher on how to acquire a mechanical license – usually it’s through BMI, ASCAP or the Harry Fox Agency in New York.

Skagit Valley Vocal Instructors

If you want to improve as a vocalist it’s important you take private lessons. Voice is not like other instruments. It sounds different in your head than it does to other people. A good voice teacher will help you to visualize and master your own vocal production anatomy, which is a difficult task. You can’t see the muscles that control your voice like you can watch your own fingers on other instruments. That’s why you really need a trained ear to guide you.

I’m often asked to recommend a vocal coach, but sadly it’s rare that people actually follow through. They seem to feel their voice is ok and getting better on it’s own. With few exceptions that’s just not going to happen. You can slide by in alternative recordings and live bands, but if you’re serious about musical theater a trained voice is needed. Please get a personalized coach.

In the Mount Vernon, WA area, Camano Island, Stanwood – here are some voice teachers I recommend. This certainly isn’t an exhaustive list – just people I know personally that do excellent work (their students are top notch singers). If your name isn’t on the list or you want to leave contact info – please add a comment to this post so vocalists can use this as a resource for getting lessons from a good vocal coach.

Recommended Voice Teachers (Alphabetical)

Dianne Johnson (Skagit College)
Kathleen Kournihan (Camano Island)
Brenda Mueller (Camano Island)
Sharyn Peterson (Mount Vernon)
Another good resource is to contact Western Washington University in Bellingham, WA.

If you are a voice instructor in Washington State located from Seattle to Anacortes to Bellingham, please leave a comment with your contact info as a resource to students. Thanks!

Music Games for Piano Players and Kids

I am a vocal instructor for the META Performing Arts summer theater camp. I teach two age groups: Teens and 8-12. I couldn’t find much online for live excercises with kids that would teach vocal technique and be entertaining. Here are some things I came up with that you might find helpful.

Kids 8-12 Age Group
Children in this age group keep their attention well if they’re interacting with each other. So I try to tailor all excercises in a way that they interact and perform for each other. If they are just singing for me it’s hard to keep their attention. Think of yourself as a referee that gives guidelines and then let them run the show.

MUSIC ACTIVITIES AND GAMES

Jazz Scat – Pianist plays a 12 bar blues progression in swing style. Start with a call and response – give the kids a scat line and have them repeat it as a group. Then go down the line and have each one sing individually. At first they will probably be very shy. If you keep at them, as soon as one jumps out and performs the scat with energy, the others will follow suite. It’s an interesting psychological phenomenon. If your first performer does a lame performance, the rest will follow suite. If the first person really goes for it, the rest will also step up to the plate. Start with a strong lead. At first just have them do four bar phrases. When they are comfortable with that keep increasing the scat time up to a full 12 bar phrase. Have the kids clap after the full performances to encourage the best in all.

Scat Tag – Kids have to scat with the piano 12 bar groove until they tag another person, then that person has to take it over. This is a good way for the hams in the group to scat for a while, and those that are still shy can tag someone quickly. They have control and they are interacting with each other – good results on this one.

Act the Mood – Piano player plays different moods on the piano and the kids have to act it out. Play circus music, melodrama chase music, Linus and Lucy theme – any music that has a definite and quickly recognizable mood. There is no right or wrong on the child’s interpretation. It gives them a chance to listen for what the music is expressing in mood to them.

Vocal Improv Weakest Link – Selling It – Have kids make a circle and choose a referee in the center. Children have to improvise singing to the piano while “selling the song”. Whatever they need to do with energy to make the referee “buy” that they are performing on the big stage. Audiences often listen with their eyes and this is a good way to encourage children to perform their songs visually and to really jump out with their vocal courage. This is another one where it takes a while for the kids to catch on and really perform. If the referee doesn’t feel the vocalist is selling the song, they are eliminated. I make it a point to talk to the first round eliminations afterwards and help them individually on selling it stronger. Then I tell them, “I don’t want to see you get eliminated in the first round this time.” So far, they don’t. They really do perform better (also helps to have a referree that understands this and doesn’t eliminate them first round). It is scary for some at first, but if you get them to improve quickly it’s a good confidence builder. You can use jazz scat for this too. Do this one after they’re very comfortable with the jazz scatting.

Vocal Story Improv – Play a simple pop progression on the piano with a nice laid back groove (I use V-vi-IV-I in key of Bb, C or D). Play it in straight eights for a change from the jazz feel. Start with call and response – then have them improv on their own twice around the progression each. Now have them also improvise lyrics to create a song (yes, they can do this if encouraged). Last step – the lyrics improvised have to be built on the person before them to create a fluent idea for the song. This is similiar to the story game where each person says a sentence in turn. I find it much more engaging when they are singing. And because there’s a tempo to stick to, they really say what’s on the top of their head without lagging. I have seen many lightbulb’s go on in people’s heads with this one. Keep doing it and you will see very creative moments, and children realizing how much they can really do that they hadn’t thought of before.

If you have an extended time with the kids and have access to recording gear, you could have them each sing lines of lyrics in turn – then edit them into a finished song. Might be a good idea to give them a set chorus to begin with and they can improvise the verses.

If you have other music games that have gone well for you in the past, please post them here so we can all use and learn from them. Thanks!

Conducting Comments

Received this yesterday from a musician in the pit orchestra of my current running show. It means a lot of me because the player is very seasoned and has “been around the block”. If you haven’t worked with me in the pit before – I can tell you it’s very intense. But all with the goal of creating the best sound possible. When musicians have the personal drive to work as a team and perform their very best – great things happen.

Comment Received

By the way, you are the best show conductor I have ever played with. I used to play most of the shows at the Circle Star Theatre and I also played for Lew Elias’s Relief orchestra in Las Vegas. ( I played the relief orchestra because most shows ran at least six weeks and two shows per night and I could not stand that much repetition, so I played different shows every night.) Anyway, I played with these big guys and you are definitely the most skilled. It takes so much more skill to work with amateurs and especially a mix of amateurs and professionals if some of the professionals are the “prima donna” type. So, I am very impressed. It is too bad that you are going to leave here.

Seattle Times Article

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Just found out the Seattle Times did a blurb on me today in the Local section. Click here to read the article. It was nice to get the mention of current shows running as extra publicity. We are looking forward to our Brigadoon run in Kirkland. Some details are off in the article (CDS does not have “conductors”, they have “bandleaders” which also play). Currently we are finishing our run of Brigadoon at McIntyre Hall and will be at the Kirkland Performance Center Sept. 7-9 and 14-16. Then I do Rocky Horror Show, Cabaret Show, Bye Bye Birdie and off to China. Should be fun!

The Spilled Coffee Trick

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I saw this picture and remembered when I was a kid and bought my fake spilled coffee trick. Is it a trick? Maybe just a joke. But it never seems to work exactly like you think it is. The reactions aren’t quite as freaked out as you imagine when you set it up.

It’s all about the setup. As a kid I would play with those little green army men. And the setup was so much fun. But then when you actually start playing you realize know one really knows what you’re supposed to do. We would just end up throwing rocks in turns and making up rules as we went. The game didn’t work, but the setup was fun.

Whoopee cushions are like that too. So much fun in the setup and anticipation, but rarely do people sit on them correctly for the gag. Or they see it before they sit down.

But we still do it, thinking somehow we did it wrong – and NEXT time will be better. Know what I mean?

In Memory of Pete Westman aka Paul D. Westman

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Pete was a good friend and mentor to me. We knew each other about 14 years down in Victorville, CA. He passed away on March 8, 2004. Friends are welcome to leave comments here on this post.

Pete did a lot of recording with me and was a featured artist on the New Faces compilation releases by Road Records of Southern California.

Many know Pete as a commercial real estate agent in the Southern California High Desert. He sold real estate in the areas of Victorville, Hesperia, Apple Valley, Oro Grande, Phelan, et al.

Musicians know him as intense and naturally gifted. And I think all of us knew him as fun and challenging.

UPDATES JUNE 2010: I am taking down Pete’s memorial website because there’s no where over there for people to interact or post messages. So friends of PD can post comments here.

BUT! To make up for taking down his memorial website I uploaded his song Shelter so you can listen to and download his music. That page is located at:
http://conradaskland.net/blog/2010/05/shelter/

(Please note that URL address up above is DOT NET, it’s a different website than this one you’re on now. )I hope you all can listen to it and leave some comments. I really think PD did a great job on this recording.